Global Ranking 2024 erschienen

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Welche Entwicklungen und Trends prägen das globale Buchgeschäft heute?

Global 50 Publishing Ranking 2024

Das Global 50 Publishing Ranking 2024 gibt einen soliden und detailreichen Einblick in die heutige internationale Buchbranche am Beispiel vieler weltweit führender Verlage. Die gelisteten Unternehmen erwirtschaften über 60 Milliarden Euro Umsatz – mehr als die Hälfte des weltweiten Verlagsmarktwertes.

Seit seiner ersten Ausgabe im Jahr 2007 bietet das Global 50 Publishing Ranking jährlich eine Rangliste der Branchenführer, Analysen der wichtigsten Trends und strategischen Entwicklungen sowie detaillierten Unternehmensprofilen mit wichtigen Kennzahlen zu Finanzen, Fusionen und Übernahmen, strukturellen Geschäftsentwicklungen wie Veränderungen im Top-Management, Unternehmensumstrukturierungen sowie digitalen und AI-bezogenen Innovationen.

Der Bericht spiegelt überraschende Kontinuitäten und tiefgreifende Veränderungen in einer Branche wider, die eine hochdynamische Konsolidierung sowie transformative Kräfte erlebt, die Geschäfts– und Vertriebsmodelle für Bücher, Bildungsmaterialien sowie wissenschaftliche und professionelle Informationsdienste radikal umgestalten.

Das Global 50 Publishing Ranking wird von Rüdiger Wischenbart Content and Consulting erstellt und von führenden internationalen Publikationen der Buchbranche veröffentlicht, darunter Publishers Weekly (USA), The Bookseller (Großbritannien), Livres Hebdo (Frankreich), dpr Digital Publishing Report (Deutschland) und Bookdao (China).

Das Ranking wird von Bookwire unterstützt.

Heutzutage ist das Buchverlagswesen zu einem integralen Bestandteil des globalen Content Geschäfts geworden. Dennoch haben sich Bücher eine einzigartige Qualität bewahrt, denn das Verlagswesen hat die unterschiedlichsten Erscheinungsformen dessen hervorgebracht, was sich mit diesen vier Buchstaben – B U C H – knapp zusammenfassen lässt:

Bücher können auf Papier gedruckt, auf dem Smartphone angehört, als Bildungskurs verpackt, als akademische Zeitschrift mit weltweiter Reichweite abonniert oder einfach nebenbei als Zeichentrickserie genascht werden.

Bücher werden vom Publikum in verschiedenen Formaten angenommen, physisch oder digital, in einer Buchhandlung oder auf einer Online-Plattform, von einem kleinen, aber sehr kreativen unabhängigen Verlag oder von einem globalen Verlagskonglomerat.

Das Verlagsranking 2024 dokumentiert und analysiert diese Branche in einer umfassenden globalen Perspektive.

Logo Publishing Beyond Publishers

Neu! >> Was ist „Publishing Beyond Publishers“

Im internationalen Buchgeschäft gibt es so viel mehr als das, was zwischen zwei Buchdeckel passt.

Self-PublishingPlattformen, die sich an hochgradig segmentierte Zielgruppen richten – Multi-Format-Publishing – Multi-Channel-Vertrieb – SerialisierungLeser (und Hörer), die die Rolle von Buchbotschaftern übernommen haben.

Es gibt so viel mehr Möglichkeiten, Bücher zu kreieren, zu produzieren, in die Hand zu nehmen – und sie zu verschlingen!

Erstaunlicherweise ist das meiste davon in den Buch- und Verlagsstatistiken und Bestsellerlisten, die wir zur Beurteilung unserer Branche heranziehen, nicht vertreten.

Zum Download geht es hier.

The library at the headquarter of Yuewen China Literature in Shanghai.
The library at the headquarter of Yuewen China Literature in Shanghai. (Foto: Rüdiger Wischenbart)

Publishing Beyond Publishers“ bietet einen globalen Überblick über das sich rasch ausbreitende Universum neuartiger Verlagsmodelle.

Die meisten dieser Modelle gehen weit über die traditionelle Wertschöpfungskette hinaus, bei der Autoren über traditionelle Verlage (als Gatekeeper und Produzenten ihrer Werke) arbeiten.

Stattdessen können Inhalte in einer Vielzahl von Formaten (Print, digital), Medien (Bücher, Audio, Filme, Spiele), Vertriebskanälen (Communities, Plattformen, Streams) und Geschäftsmodellen (Einzelverkauf von Produkten, Abonnements, Streaming, Freemium, bezahlte Modelle) in meist digital definierten Liefer- und Vermarktungsketten erstellt und verbreitet werden.

In dieser Studie werden zahlreiche Fallstudien dieser neuen Modelle dargestellt und durch evidenzbasierte Indikatoren ergänzt, um Marktanteile dieser Sektoren zu schätzen.

Der Bericht wurde von Rüdiger Wischenbart und Thad McIlroy verfasst.

„Consolidation“ is the #WordoftheYear 2021 in the Book Business

A #publishing #XMas tale (and a few links for further #reading down below).

Frankfurt Skyline by night

What does Penguin Random House as the world’s largest consumer book publisher have in common with tiny German Schöffling Verlag? Certainly a mutual love for cats – as Schöffling’s iconic bestseller is the annually updated „Literary Cat Calendar„, and a good reason for the indie publisher’s recent acquisition by Swiss German Kampa Verlag. PRH has listed the sophisticated „Yoga For Cats“ among the thousands of titles published worldwide.

Not cats though were the main driver for recent #takeovers among publishing ventures big and small, but a paramount appetite for „#bundling #strengths“ through #acquisitions.

Consolidation is summing up in one buzzword what drives and reshapes the global bookbusiness in 2021 across the bord. But at closer scrutiny, a mind boggling variety of different models and trajectories has popped up in what consolidation means exactly. There is a US style „Big-buys-Not-so-big„, a Frenchprivate-billionnaire-bingo„, and a GermanNo-consolidation-here“ (and yet, a lot of takeovers occurred in retail, led by Thalia Bücher GmbH, and now between indie publishers as Kampa founder Daniel Kampa announced in recent weeks acquisitions of 2 small indie presses, Austrian JungundJung, and German Schöffling). There is a Russian „oligarch-style“, or an „All-is-new“ in Scandinavia with subscription overtaking per copy sales.

So I spent a good part of my working hours in 2021 at compiling data and analyzing trends around that consolidation in books.

You can watch my analysis at the Frankfurt CEOTalk ;

You can listen to it at CCC’s podcast series;

You can download and read about it in the Global50 Publishing Ranking.

And please drop me a note with your own thoughts by email or on Twitter @wischenbart

As for the cats, you’ll find them here and here.

The Global50 International Publishing Ranking 2021 is out!

Banner ad for Global 50 publishing ranking

The Global 50 International Publishing Ranking 2021 is ready for free download at www.wischenbart.com/ranking.com

55 leadling publishing groups worldwide in consumer books, educational, scientific and professional, listed by revenue from publishing activities, plus a detailed analysis of trends and company profiles with key data.

The Global 50 publishing ranking is updated every year since 2007, and published in cooperation with Bookdao (China), buchreport (Germany), Livres Hebdo (France) and Publishers Weekly (USA).

Sponsored by BOD and Bookwire.

 

 

 

Global 50 CEO Talk: Consolidation, Consumers and Communities: Making Sense of the Big Business in Books (and the Small Businesses).

Wednesday, 20 October 2021, 14.00 to 15.00 CET

The Global 50 CEO Talk 2021 will investigate deep transformative shifts that currently re-define much of the international book business, notably the strong push in mergers and acquisitions, and the consumer centric business strategies with two pre-eminent guest speakers: New York based investment banker Robin Warner of Oaklin DeSilva+Philips, and Klaus Driever of Munich based Allianz Group, one of the leading integrated financial services providers worldwide.

Having closed more than 50 transactions focused on trade publishing, edtech and education information services, and healthcare to companies that include Amazon, Scribd, IPG (Independent Publishers Group), Oracle, Wiley and Macmillan, Robin Warner will analyze recent consolidation perspectives for the international book industry.

As a digital expert with experience in insurance as well as in in publishing and book retail, Klaus Driever will talk about remarkably similar patterns of digital change across industries.

Building on the new “Global 50 Ranking of the International Publishing Industry 2021”, the editors of Bookdao (China), buchreport (Germany), Livres Hebdo (France) and Publishers Weekly (US). The hybrid event in partnership with the Frankfurt Book Fair and with ReBoot Books will be moderated by Rüdiger Wischenbart.

The CEO Talk will shed light on a wave of major mergers and acquisitions is re-shaping the global business of books. Bertelsmann’s Penguin Random House is acquiring iconic US publisher Simon and Schuster, Houghton Mifflin Harcourt is picked up by Harper Collins, and Workman is taken over by French Hachette – which in turn has been viewed by the other large media group in France, Vivendi, in what is expected by observers to grow into an acquisition bid at some point next year.

The dynamics are not at all limited to the big consumer book houses. Finnish Sanoma, a specialist in digital education, has acquired the respective activities of Spanish Santillana. In Germany meanwhile, a staggering process of consolidation continues with the largest book retail chain integrating smaller regional players throughout the country. And in Great Britain, Waterstones’ James Daunt has announced new shop openings for next year.

The context in which the earlier invitation to Hachette Livre had been made has changed, and therefore the programming of the CEO talk has evolved, in agreement between the organizers of the event and Hachette Livre.

A cooperation of four leading trade media outlets, the CEO Talk traditionally features the Global 50 Ranking of the International Publishing Industry, which is researched by Rüdiger Wischenbart Content and Consulting, and has been updated every year since 2007, currently representing around 50 companies that each report revenues from publishing of over €150 million. The Global 50 Ranking is sponsored by Bookwire (www.bookwire.de )

At Frankfurter Buchmesse, the CEO Talk is a long-established tradition.

The full Global 50 Ranking will be available at www.wischenbart.com/ranking and the participating publishing publications.

About Klaus Driever and Allianz Group: Klaus is a successful and experienced digital entrepreneur. Already in the 90s he founded his first digital startups and brought companies like buecher.de (Germany) and bol.com (Netherlands) to success. As editior-in-chief and Managing director, he worked for leading companies in the media, retail and book publishing industry like Hubert Burda Media, ProSieben and Verlagsgruppe Weltbild. After holding position as CEO of the direct insurance Allsecur AG, Klaus is currently responsible for the strategically relevant digital projects at Allianz Germany. He holds a PhD in Political Science from Freiburg University in Germany and is also Alumni of Trinity College Dublin. Klaus lives in Munich and is active in honorary capacity for InsurTechHub Munich (ITHM) and for BITKOM, Germany’s digital association representing more than 2.700 companies of the digital economy.

The Allianz Group is a global financial services provider with services predominantly in the insurance and asset management business. Over 100 million retail and corporate clients1 in more than 70 countries rely on our knowledge, global presence, financial strength and solidity. In fiscal year 2020 over 150,000 employees worldwide achieved total revenues of 140.5 billion euros and an operating profit of 10.8 billion euros. Allianz SE, the parent company, is headquartered in Munich, Germany. Source: en-2021-10-fact-sheet.pdf (allianz.com)

About the magazines and their editors participating at the Global 50 CEO Talk: Sanguo Cheng, founder and president of Bookdao (China), Lena Scherer, deputy editor-in-chief, buchreport (Germany), Fabrice Piault, editor-in-chief, Livres Hebdo (France), and Andrew Albanese, features editor, Publishers Weekly (US).

About ReBoot: ReBoot Books (www.rebootbooks.org) is a series of book industry and will be represented by Carlo Carrenho. Its sponsors include KNK (www.knk.com ) and BOD (www.BOD.com )

Contact: Rüdiger Wischenbart, founder and president Content and Consulting (Austria),  office@wischenbart.com

 

A Preview on the Global 50 World Publishing Ranking 2021

Breaks, but no breakdowns: The pandemic and its impact on the international book business“ reads the headline of a new preview of the Global 50 World Publishing Ranking 2021.

Generic chart Illustration for White Paper Preview Global 50 Publishing Ranking 2021

Download your free copy of this White Paper at Preview Global 50 2021
This ‘Preview’ to the next Global 50 looks specifically at the following topics:
– The impact of the pandemic on exemplary leading publishing corporations;
– The drivers behind initially unexpected positive market developments;
– The acceleration of business innovation triggered during the pandemic, with
special highlights on digital, audiobooks and subscription models;
– The opening gap in market developments between selected European countries;
– The ongoing surge in competition, driving industry consolidation, new alliances
and powerful impulses from neighboring media sectors;
– The transformative dynamics of the expanding “network and platform” economy
as it reshapes book consumption.

The complete Global 50 World Publishing Ranking will be released by the end of August 2021 at www.wischenbart.com/ranking.

We thank our sponsors of the Global 50, namely BOD, Bookwire, knk and Plureos for their generous and ongoing support.

NEW: Ebooks, audiobooks, sales, subscriptions, streaming – the Digital Consumer Book Barometer 2021 is out

More digital book consumption, new audiences, a sustainable upswing:

2020 was a breakthrough year for digital consumer books, bringing new opportunities in reaching new audiences and an expansion in e-book and audiobook consumption in subscription, e-lending and streaming models.

The Digital Consumer Book Barometer provides detailed insights and analysis based on solid and exclusive market data in Germany, Austria, Switzerland, Italy, Spain, French speaking Canada, Brazil and Mexico.

Lockdowns, home office and home schooling have boosted digital consumption of books across all formats and channels, opening new opportunities to the book business, with similar developments across all markets and segments.

Sales soared, triggered in spring 2020 at first by the impact of pandemic restrictions. But soon, after a short lull in summer, the trend turned out to be a sustainable game changer for the entire digital book business.

One of the major surprises was the gain in popularity for subscription services and related models of continuous consumption, as in digital libraries or audiobook streaming from music services. In both German language markets as in Brazil, the increase reached massive gains for subscription and e-elending year-over-year from 2019 to 2020.

Good news for traditional publishers operating in the digital fields is that price levels could by and large be kept stable over the past 5 years in most countries, including Italy, Germany, or French speaking Canada. In more volatile markets such as Mexico or Brazil, the overall average price level went lightly down, but publishers found out, as good news, that consumers embraced not only cheap thrills, but were prepared to pay even more for high quality titles.

Overall, after ebooks having been losing some appreciation by book market commentators lately, a turnaround with sustainable gains seems to be the outcome of 2020, as is shown by the uniquely granular data analysis in this report.

The Digital Consumer Book Barometer, started by Ruediger Wischenbart Content and Consulting in 2018, is regularly updated and dwells on real sales data provided by leading international digital distributors and aggregators, notably Bookwire (German language markets, Spain, Latin America), Demarque (French speaking Canada), edigita (Italy), Libranda (Spain and Latin America), and Readbox (German language).

Download the Digital Consumer Book Barometer here.

Reboot Books > „How To Fix What Is Broken“. On increasing efficiency, ‚going direct‘ and better rights trading

In case you have missed the recent online debate at ReBoot Books on April 21st, find here below some key talking points from the discussions – and a 16 minute video excerpt from the panel „In search of the final consumer„.

As a registered member of ReBoot, you can even view the full three sessions in the ReBoot Box!

The day-to-day challenges under pandemic market conditions for a publishing company are adding up to a long list, said Planeta’s CEO Jesús Badenes in his opening statement at the ReBoot online debate on April 21, 2021.

The business has become more complex, with smaller average print runs and other titles gaining in popularity as book buyers‘ references changed. For the head of the largest publishing group in the Spanish language, the key to an efficient management response can be boiled down to a four-letter word: Data.

Having the right data at your finger tips allows to better manage the inventory, finding the right balance between increasing digital products, and using flexible print-on-demand solutions for physical books, which helps to lower returns and make ecommerce more customer friendly.

This allowed Gerd Robertz, CEO of German BOD – a provider of both PoD and of author & self-publishing solutions, and a sponsor of ReBoot – to follow up seemlessly. These same solutions are available not just to big corporations – Planeta’s turnover tops that of New York based Simon & Schuster, or French Editis group. Even small independent publishers or a self-published author can provide the same convenience in fast delivery, and harvest resulting data insights, to develop a strong and targetd marketing.

Publishers and retailers must „build a customer journey„, added Jason Spanos, Chief Revenue Officer at KNK, an internationally leading software provider to the book business, and a sponsor of ReBoot. During the pandemic, KNK particularly focused, with a newly established, dedicated team, on monitoring how quickly customer engagement and habits were changing. „We simulated meetings at libraries, or in coffeeshops, or now in their online social exchanges“ for learning to quickly adapt to new patterns of engagement.

Gaining data, organizing them within one company, or even sharing data more openly that what is common today triggered the subsequent lively debate between both speakers and experienced book professionals in the audience.

Today, said technologist Matt Turner, people interact digitally in order to then buy physical books – or opt for entertainment media instead of a book, like series or games in streaming TV.

Thus publishers must learn to better understand their own products and, as Anne Bergmann of the Federation of European Publishers added, explore the co-existence between sales and streaming services for e-books and digital audiobooks, in order to avoid mistakes that had done great harm to the music and the audiovisual services a decade ago.

Companies need to integrate workflows and data flows within their organization, and not just look at data gained through distributors and retailers, argued Brian O’Leary of the New York based industry think tank BISG.

How all this can be brought to fruition in the day-to-day company life was richly illustrated by Julie MacKay from the American subscription platform Scribd, Peta Nightingale from the British author services platform Bookouture, which had been acquired by Hachette, as well as Rafaela Pechansky of the Brazilian reading community TAG.

How well established in innovative forms to connect and network are seen in the trade of rights and licenses will be summarized in a separate blog post in a few days.

You can’t wait to access the full debates in video recordings – and join us also at the next live event on June 15, 2021, then you should become a full member of ReBoot. Registration is simple at https://rebootbooks.org/

Offering a training programme on innovation and cultural diversity in literary translations launched for small and medium-sized publishers.

5 renowned book industry organizations team up, with support from Creative Europe, to disseminate market insights and practical learnings about novel approaches in publishing.

Logo http://SIDT-books.eu

Apply now for the SIDT innovation training modules

The SIDT initiative – standing for “Sustaining and Innovating cultural Diversity in literary Translations” – introduces a pilot project for professional trainings to small and medium sized independent publishers, distributors, and retailers across Europe.

These actors often spearhead translations of new literary voices across Europe. But in an increasingly competitive market for cultural media, including books, making such cultural diversity work commercially, too, has become a challenge to many stakeholders.

Literature needs to be catered to multiple niche audiences, in print and digital, across various distribution channels, and marketed through dedicated communities of readers. This requires venturing into innovative business and delivery practices, driven by digital tools and platforms.

Overall, 4 different training modules of around 10 to 12 hours each will be offered to interested practitioners, first between April and June 2021, and then a second time in the autumn of this year. Topics will range from “digitization of the publishing workflow”, and “radical innovation” approaches, to “user-centric marketing” and “new business models”, notably in publishing operations specializing in translated fiction.

Each module will introduce a group of around 20 to 25 trainees to market overviews and practical case studies, elements of innovative business practices and hands-on group work. Experienced industry practitioners will act as trainers, together with professional moderators.

Participation in the modules is free but subject to submitting an application with a detailed questionnaire and a motivational letter, available (with more details on the project and the modules) at www.sidt-books.eu; the project management board will retain the final decision on applications.

SIDT is a joint initiative of Beletrina Academic Press, Ljubljana, Slovenia, the Federation of European Publishers, Brussels, Belgium, the Fundación Germán Sánchez Ruipérez, Madrid, Spain, Lietuvos Leidėjų Asociacija (Lithuanian Publishers’ Association), Vilnius, Lithuania, and Rüdiger Wischenbart Content and Consulting, Vienna, Austria, as a project coordinator.

The project is co-funded under the Creative Europe programme by the European Commission.

Contact and information:
SIDT Books
info@sidt-books.org

It is all about the details! ReBoot’s workshop „Assessing the Damage“ identified winning and losing experiences in the international book business under the pandemic.

The season’s first workshop in the “ReBoot: Books, Business and Reading” on 25 Feb 2021 took off with promises of a wild ride between some countries and segments where the book trade significantly expanded, driven by an increase in reading, while other markets and segments of the industry had to confront loss and swings in consumer habits.

Print book sales in Germany, Austria and Swiss 2011 to 2020 (data by MediaControl, analysis Ruediger Wischenbart.

Print book sales in Germany, Austria and Switzerland 2011 to 2020 (data by MediaControl, analysis Ruediger Wischenbart Content and Consulting).

In Sweden, publishers recorded gains in revenue of 8.7% in 2020 – and a stunning surge of +21.5% in (mostly digital) units. For the first time digital overtook physical sales, and most of digital turnover was earned through audiobook subscriptions.

The USA saw 9% more copies shipped, while revenues stayed flat with +0.8%. The real drama however required to go into the details, as online sales surged by +43% in 2020, bringing print books up +8.2% in revenue, and ebooks +12.6%, while physical bookstores, drowned by -28.3%.

Germany (-2.3% in book revenue) and France (-4.5%), the two usually boringly robust European markets saw each an up and down along the Covdid-19 year, shaped by lookdowns and closures of bookstores, followed by bold interim recoveries, praised as proof for the resilience of the book sector. But again, a deep rift opened, setting apart the overall market performance from a much more challenged brick and mortar retail sector, where turnover dropped by -8.7% and unit sales even by -12%.

In Poland, unit sales were remarkably robust, but returns fell off quickly, as heavy discounting led to price wars. E-commerce moved mainstream even in countries with a particularly low digital penetration, like Greece.

Overall, the ReBoot workshop provided data and analysis on some 20 different territories all over Europe and the Americas, covering namely Argentina, Austria, Brazil, China, Finland, France, Germany, Greece, Portugal, Sweden, Norway, Turkey, UK, US, and by industry segment fiction and nonfiction, as compared to children and young adult, as well as by formats and sales channels – notably print, ebooks, audiobooks, e-commerce, and subscriptions, as well as digital library lending.

In many countries publishers found themselves in a stronger position than retailers. Pandemic sales hit hardest the big chain bookstores, while giving some advantages to small independents and, of course, online (or omni channel) shops. Digital library loans soared. Backlist titles gained ground, while front-list – put aside a few blockbusters – saw their share in decline. And in many parts of the industry, new alliances and new fields for experimentation opened.

We are grateful to all participants, and in particular to those sharing their insights and learnings, including Andrew Albanese (US), Johanna Brinton (UK), Carlo Carrenho (BR/SE), Giacomo D’Angelo (IT), Sonia Draga (PL), Michalis Kalamaras (GR), Thad McIlroy (US), Gerson Ramos (BR), Enrico Turrin (BE/EU), and Burcu Ürsin (TR).

A complete video recording of the session, and presentations with rich data and detail, will be made available to all registered ReBoot members in the ReBoot Box.

Register now at www.rebootbooks.org to get your pass offering access to the Box and to the next Reboot events on April 21st and June 15.

We thank our sponsors Media Control and the Austrian Ministry of Culture for their crucial support.

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